Stars in Fallen Positions: Broken Patterns
〈十二宮諸星失陷破格訣〉
The Complete Book of Zi Wei Dou Shu, Volume 1: Rhapsodies, questions on the stars, and chart patterns · Original text with translation
Introduction
Stars in Fallen Positions: Broken Patterns is the reverse of Stars in Strong Positions: Fitting Patterns: again going by the branch of the Life Palace, one four-line poem each, it says which stars sitting there are fallen and break the pattern, so that even an auspicious transformation does not help, and most verdicts are poverty, low station or early death. For example, Tian Ji with Tai Yin, or Wen Chang and Wen Qu, in Yin: 「男為伴僕女娼婢,若非夭折即貧窮」; Tan Lang, Ju Men, Tai Yin or Wen Chang in Wu: 「橫破橫成到老窮」.
Keep two things in mind when reading. First, the Quan Shu contradicts itself: the first poem says Tian Ji is fallen in Zi and Wu, but the verse in What Does Tian Ji Govern? says of Tian Ji 「辰戌子午地,入廟有功名」. Second, combinations such as 'Tian Ji and Ju Men in Shen' and 'Zi Wei and Po Jun in Xu' never share a palace under the standard placement method, so the chart comparison tags each star separately. The base text's 戍 should be 戌 (Xu).
1子丑安命 子午天機丑巨鈴,此星落陷果為真,縱然化吉更為美,任他富貴不清寧。
TranslationLife Palace in Zi or Chou: Tian Ji in Zi or Wu, Ju Men or Ling Xing in Chou; these stars being fallen is indeed true. Even if an auspicious transformation makes it finer, however rich and noble, there is no peace.
The Xingge approachThis line says Tian Ji is fallen in Zi and Wu, but the verse in What Does Tian Ji Govern? says Tian Ji is 「辰戌子午地,入廟有功名」, so the Quan Shu contradicts itself; the brightness on a Xingge chart follows its own brightness table.
Stars in Fallen Positions: Broken Patterns is the reverse of the previous chapter, Stars in Strong Positions: Fitting Patterns, and also lists the worst combinations by the branch of the Life Palace. This poem covers Zi and Chou together: Tian Ji in Zi or Wu, and Ju Men and Ling Xing in Chou. The problem of Tian Ji being fallen in Zi and Wu is explained under the Xingge approach above (Xingge marks it Miao). Ling Xing in Chou, too, is marked De on Xingge's brightness table, not fallen, so this set of verses often parts ways with the brightness table. Ju Men in Chou is Bu, which does fit.
「縱然化吉更為美,任他富貴不清寧」 is finely put: even with an auspicious transformation, even rich and noble, there is no peace. A broken pattern does not mean certain poverty; it means the benefits are discounted and the road is rough. That is the keynote for reading the whole set.
2寅安命 寅上機昌曲月逢,雖然吉拱不豐隆,男為伴僕女娼婢,若非夭折即貧窮。
TranslationLife Palace in Yin: in Yin, meeting Tian Ji, Wen Chang, Wen Qu or the moon (Tai Yin), though auspicious stars converge it does not prosper; the men are attendants and servants, the women harlots and maids; if not dying young, then poor.
- 伴僕
- Attendants and servants.
- 娼婢
- Harlots and maidservants.
Yin lists Tian Ji, Tai Yin, Wen Chang and Wen Qu. Tian Ji and Tai Yin share the Yin palace, and on a Xingge chart the pair is not weak: Tian Ji De, Tai Yin Wang. Wen Chang in Yin is fallen. The Nature of Tai Yin has an almost identical verse, 「寅上機昌曲月逢,縱然吉拱不豐隆」 (The Nature of Tai Yin), so this is a fixed saying in the Quan Shu.
Tian Ji and Tai Yin in Yin or Shen being listed as a broken pattern agrees with the Quan Shu's verdict on this pair in women's charts: The Nature of Tian Ji says 「天機星與太陰同,女命逢之淫巧容」. The ancients' reason was probably that both stars govern change and softness, and with the talents of Wen Chang and Wen Qu, they were seen as not keeping to one's station. The original's 「男為伴僕女娼婢」 is very heavy language; today it reads as a tendency to depend on others, or to work in service roles.
3卯辰安命 卯上太陰擎羊逢,辰宮巨宿紫微同,縱然化吉非全美,若非加殺到頭凶。
TranslationLife Palace in Mao or Chen: in Mao, meeting Tai Yin or Qing Yang; in the Chen palace, Ju Men together with Zi Wei. Even with an auspicious transformation it is not wholly fine; if no malefics are added, it is still bad in the end.
- 若非加殺到頭凶
- The meaning does not run smoothly; translated literally.
Mao looks at Tai Yin and Qing Yang, Chen at Ju Men and Zi Wei. Tai Yin in Mao is fallen, and so is Qing Yang in Mao, both matching the brightness table; Ju Men in Chen is fallen, which matches too. But 「辰宮巨宿紫微同」 is a problem on the chart: under the placement method Ju Men and Zi Wei never share a palace, nor even meet in the San Fang Si Zheng. Zi Wei in Chen sits with Tian Xiang at brightness De, so the line should be read as two cases: Ju Men in Chen, or Zi Wei in Chen.
Zi Wei in Chen may be listed as a broken pattern because Chen is the Net of Heaven; the next chapter, Stars in Fallen Positions: Poverty and Low Station, also says 「辰戌紫破朝羅網」. 「縱然化吉非全美」 strikes the same note as segment 1.
4巳安命 巳宮武月天梁巨,貪宿廉貞共到蛇,三方吉曜皆不貴,下賤貧窮度歲華。
TranslationLife Palace in Si: in Si, Wu Qu, the moon (Tai Yin), Tian Liang or Ju Men, or Tan Lang and Lian Zhen arriving together at the snake; even with auspicious stars in the San Fang, none is noble, and they pass their years low and poor.
- 蛇
- The snake: Si, whose animal is the snake.
Si lists Wu Qu, Tai Yin, Tian Liang, Ju Men, and Tan Lang with Lian Zhen. Against the brightness table: Tai Yin is fallen in Si, Tian Liang fallen in Si, Lian Zhen and Tan Lang both fallen in Si, all matching; Wu Qu in Si is Ping (sharing the palace with Po Jun), but Ju Men in Si is Wang, which does not match the verse.
「三方吉曜皆不貴,下賤貧窮度歲華」 is an absolute statement: not even auspicious stars in the San Fang can save it. Lian Zhen and Tan Lang in Si are the 「廉貪巳亥宮,遇吉福盈豐,應過三旬後,須防不善終」 of What Does Lian Zhen Govern?; that chapter at least grants blessings with auspicious stars, while this one says auspicious stars bring no rank. Different chapters of the Quan Shu are stricter or more lenient with the same stars.
5午安命 午宮貪巨月昌從,羊刃三合最嫌沖,雖然化吉居仕路,橫破橫成到老窮。
TranslationLife Palace in Wu: in Wu, with Tan Lang, Ju Men, the moon (Tai Yin) or Wen Chang, Qing Yang clashing from the trine is most feared; though with an auspicious transformation one takes the official road, ruin comes suddenly and success comes suddenly, and one is poor in old age.
- 羊刃
- Qing Yang.
Wu lists Tan Lang, Ju Men, Tai Yin and Wen Chang. Against the brightness table: Wen Chang is fallen in Wu and Tai Yin Bu, roughly matching; Tan Lang and Ju Men in Wu are both Wang, which does not. More notable still, the Gu Sui Fu says 「子午巨門石中隱玉」 (Gu Sui Fu): Ju Men in Zi or Wu is a top pattern there, yet a broken pattern here, so the Quan Shu's verdicts on Ju Men in Wu are exact opposites.
A reasonable way to reconcile them: Shi Zhong Yin Yu needs Hua Lu, Hua Quan or Hua Ke and no malefics, while this poem is about 「羊刃三合最嫌沖」, Qing Yang clashing from the trine. The same star depends on its conditions. 「橫破橫成到老窮」: great swings, and in the end nothing kept.
6未安命 未宮巨宿太陽嫌,縱少災危有剋傷,勞碌奔波官事至,隨緣下賤度時光。
TranslationLife Palace in Wei: in Wei, Ju Men and the sun (Tai Yang) are disliked; even with few disasters and dangers, there is harm and injury; toiling and rushing about, lawsuits arrive, and one passes the time low and resigned to fate.
Wei looks at Ju Men and Tai Yang. Ju Men in Wei shares the palace with Tian Tong at brightness Bu; Tai Yang in Wei shares it with Tai Yin at brightness De, the sun already slanting west. 「縱少災危有剋傷,勞碌奔波官事至」 means toil and lawsuits.
Tai Yang in Wei is what Master Yuchan in the Tai Yang chapter calls the 'slanting wall', 「作事先勤後惰」. Ju Men's darkness and a westering sun are both images of light not bright enough. Today it reads as giving a lot and getting returns slowly, with a tendency to get drawn into disputes or legal problems, so contracts and communication need extra care.
7申酉安命 申宮機巨為破格,男人浪蕩女人貧,二宮若然桃花見,男女逢之總不榮。
TranslationLife Palace in Shen or You: Tian Ji and Ju Men in the Shen palace are a broken pattern: the men are dissolute, the women poor. If peach-blossom stars appear in these two palaces as well, men and women who meet it never flourish.
- 申宮機巨
- Tian Ji and Ju Men share a palace only in Mao and You; since the heading says Shen and You, this may mean Tian Ji or Ju Men in Shen, or Tian Ji and Ju Men in You, and the chart comparison tags them separately.
The heading says Shen and You, but the text only says 'Tian Ji and Ju Men in Shen'. As the note explains, Tian Ji and Ju Men share a palace only in Mao and You and never in Shen, so in practice it must be Tian Ji and Ju Men in You that is the broken pattern. Set against Stars in Strong Positions: Fitting Patterns, 「卯宮機巨武曲逢,辛乙生人福氣隆」, this is the Quan Shu's frequent 'good in Mao, bad in You': the same Tian Ji and Ju Men are a noble pattern in Mao and a broken one in You.
「二宮若然桃花見,男女逢之總不榮」: later writers often treat Zi, Wu, Mao and You as peach-blossom places, and a peach-blossom star in You makes it worse. The Star Combinations chapters also say 「巨陷天機為破格」 (Star Combinations: Tian Ji): in a woman's chart in Yin, Shen, Mao or You, even rich and noble she cannot escape lust.
8戍安命 戍上紫破若相逢,天同太陽皆主凶,若還孤寒更殀折,隨緣勤苦免貧窮。
TranslationLife Palace in Xu: if in Xu one meets Zi Wei and Po Jun, or Tian Tong or Tai Yang, all mean misfortune; if solitary and poor besides, one dies young; only by accepting one's lot and working hard does one avoid poverty.
- 紫破
- Zi Wei and Po Jun share a palace only in Chou and Wei; in Xu this may be Zi Wei (with Tian Xiang) or Po Jun, and the chart comparison tags them separately.
- 殀折
- To die young.
Textual note: The 戍 in 「戍安命」 and 「戍上」 should both be 戌 (Xu).
Xu lists Zi Wei and Po Jun, Tian Tong and Tai Yang. Zi Wei and Po Jun share a palace only in Chou and Wei; in Xu it is either Zi Wei sitting with Tian Xiang and Po Jun opposite in Chen, or Po Jun in Xu with Zi Wei and Tian Xiang in Chen. Tian Tong in Xu is Ping, and the Gu Sui Fu says 「天同戌宮為反背,丁人化吉主大貴」 (Gu Sui Fu): turned backwards, yet with the auspicious transformation of a Ding year greatly noble instead. Tai Yang in Xu is Bu, its light lost.
「若還孤寒更殀折,隨緣勤苦免貧窮」: solitude and poverty, plus a short life; only by accepting one's lot and working hard can poverty be avoided. Xu is the Net of Earth, paired against Chen, the Net of Heaven, and that is one reason the Quan Shu lists Chen and Xu as unfavourable places.
9亥安命 亥宮貪火天梁同,飄蕩浪子走西東,若還富貴也年促,不然隸僕與貧窮。
TranslationLife Palace in Hai: in Hai, Tan Lang, Huo Xing and Tian Liang together: a drifting wanderer running east and west; if rich and noble, his years are cut short; otherwise he is a bondservant and poor.
- 年促
- A short life.
- 隸僕
- Bondservants and servants.
Hai lists Tan Lang, Huo Xing and Tian Liang. Tan Lang in Hai is fallen and so is Tian Liang, matching the brightness table; Huo Xing in Hai is Li. Tan Lang meeting Huo Xing would normally be the Huo Tan pattern, but that pattern needs Miao or Wang, and in Hai neither star is strong, so it turns into the wanderer instead.
There is a contradiction inside the Quan Shu: the next chapter, Stars in Strong Positions: Wealth and Rank, says 「亥宮天府天梁吉」 (Stars in Strong Positions: Wealth and Rank), so the same Tian Liang in Hai is a broken pattern in one place and auspicious in another. The Star Combinations chapters also say 「天梁月曜女淫貧 梁巳亥陰寅申主淫佚」, leaning unfavourable. Readers who see Tian Liang in Hai marked Xian on their chart can go with the view held by more of the chapters.
Base text (Wikisource, partly in simplified Chinese)
FAQ
What is Stars in Fallen Positions: Broken Patterns about?
It is a set of verses in volume one of the Quan Shu that, by the branch of the Life Palace, lists which stars sitting there are fallen and break the pattern, so that even an auspicious transformation is not fine, mostly meaning poverty, low station and early death. It is the reverse of Stars in Strong Positions: Fitting Patterns.
Is Tian Ji in Zi or Wu in Miao or fallen?
This chapter says 「子午天機丑巨鈴,此星落陷果為真」, listing Tian Ji in Zi and Wu as fallen; but the verse in What Does Tian Ji Govern? says 「辰戌子午地,入廟有功名」. The Quan Shu contradicts itself here. The brightness on a Xingge chart follows its own brightness table, which marks Tian Ji in Zi and Wu as Miao.
What happens with Tan Lang or Ju Men in the Life Palace in Wu?
The Wu poem says 「午宮貪巨月昌從,羊刃三合最嫌沖,雖然化吉居仕路,橫破橫成到老窮」: with Tan Lang, Ju Men, Tai Yin or Wen Chang in Wu, Qing Yang clashing from the trine is most feared; even with an auspicious transformation one can become an official, but success and ruin come suddenly, and one is poor in old age.
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